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Stereo to 2.1 "upmix" on Linux - part 5

But I want a software mixer. Pulseaudio to the rescue! Apart from the fact that the documentation of remap-sink leaves a bit to desire, this is fairly easy. First, our ~/.asoundrc reduces to

Stereo to 2.1 "upmix" on Linux - part 4

I cannot find any other tool that encodes AC3 to IEC958 than vlc and mplayer. Both are not suitable for the task for different reasons. One idea would be to modify the alsaplay (aplay) ALSA example application to do the encoding. But while researching the topic I asked myself: why couldn't just ALSA do it by itself? It's just wrapping AC3 into a bit stream, and the mplayer code for it looks fairly simple. Let's see how ALSA plugins are working anyway... So I downloaded the alsa-plugins source code and... WAIT, WHAT IS THAT?! There is a directory "a52". It contains exactly the module I was looking for. It does not encode an AC3 stream to an IEC958 transport stream, it creates the whole transport-encoded AC3 data from PCM data and writes it to the SPDIF device of the sound card. That's even more I asked for!

Stereo to 2.1 "upmix" on Linux - part 3

The upmix pipe is nice, but quite complex and limited to applications which have piped output. Maybe we can get the latency down and probably can get sox out of the mix... ALSA can remix channels with the "route" plugin, and it can output to a pipe. Let's put the following in the ~/.asoundrc:

Stereo to 2.1 "upmix" on Linux - part 2

How to construct a 2.1 signal from a stereo signal? We are going to encode it as AC3 ("Dolby Digital"), with the original stereo channels left and right mapped to front left and right, center and rear channels being muted, and bass getting the sum of half of the level of left and right channel. Strictly speaking, we should run the the bass signal through a low pass, but it is not necessary for my speaker system, as the active bass box has a built in low pass with an adjustable cutoff frequency.

Stereo to 2.1 "upmix" on Linux - part 1

I recently upgraded my set of speakers after my old Braun boxes finally reached their end of life. The "surrounds" of the speakers were degraded too far after almost 30 years. Given that the speaker system was from Braun's budget series of speakers (still relatively expensive at the time) it does not make sense to refurbish it. So I replaced the front speakers with a set of Nubert nuJubilee 35 (comparable to nuLine 32) speakers. If you are a fan of the 70th classic music sound like me: give Nubert speaker systems a try. At least the nuLine series is quite close to the sound of medium to large Brauns, though slightly more modern (i.e., more bass.)

Anonymous comments turned off

I've turned off anonymous comments as ReCapture apparently is no hurdle for spam bots anymore. If you want to comment on my entries and don't have an account on LiveJournal or any of the other accepted OpenID providers yet: please register with one.

Sewing machine

I bought a cheap sewing machine at Lidl (a German grocery chain) today for only 60 Euros. An independent test report said it's okay for the price, and indeed it is. It does sew neat straight seams. However, the manual is a bit confusing and if I hadn't learned how to use a sewing machine (well, at least the basics) on a quality machine ten times worth this one I would have been totally lost. Which leads me to the question who is the targeted user of this machine? Everyone from experienced hobbyist level on would rather spend some more money for a quality machine. A beginner would quickly despair and give up.

How to handle a tricky public relations issue

What do Mormons and the Furry Fandom have in common? Next to nothing. However, both face the same problem when it comes to answering ridicule: how to react appropriately and at the same time ask their own community to not engage in an embarrassing debate. Trey Parker and Matt Stone of Southpark fame wrote a satirical musical called Book or Mormon which will premier next month on New York Broadway. This is the official statement by the LDS Church. Quite brilliant, from a PR point of view: they do not take the bait, do not criticize the musical, don't say they're offended, don't try to justify themselves, they just state what's important to them. And, more directed at their own fellowship than at outsiders, they link to their general stance on media coverage, which remarkably well explains how to react on unfavorable reports and fiction without getting into a defensive position.